This week, we’re attempting to solve some tricky problems. How can the EU tackle the ballooning housing crisis? Can we revive a cinema industry on death’s door? And how on earth can we get bureaucrats to communicate like human people in order to really, truly get something done? We’re unpacking plans for a new Affordable Housing Act and Macron’s attempt to save le cinéma, and we’re also getting an exclusive from the EU’s Directorate General of Memes, Satire, and Sober Fun, a.k.a. Fabio Mauri, the meme-maker who loves nothing more than to poke fun at Europe’s policymakers on Twitter and Instagram. You’ll laugh, you’ll cry, et cetera.

The world may be transfixed by the US election results, but this was a huge week for news on this side of the Atlantic too. This week we're trying to make sense of the cataclysmic floods in Spain, and talking about another presidential election with major consequences  — the one in Moldova. Plus, a much-needed palate-cleanser: we're delving into a fascinating report into what European children are watching, and what grown-up film producers can do to make better stuff for kids.

Fewer expensive car chases, more moody shots and ambiguous endings: movies made in Europe are often very different from those made in the US. But Europe's more arty film output isn't just a product of our culture — it has a lot to do with how the industry is financed. This week, we're asking: why is European cinema the way it is, and should we be trying to change it?